Suprasegmental Phonology Pitch Each syllable of a verbalise content tidings (that is, with the exclusion of empty haggle like demonstratives and most pronouns) receives a distinct odour or lurch, that can be all high or moo. (UPPERCASE = high tone) dubelete DU BE le te dilaya di LA YA decha DE cha feri fe RI Senu Yivokuchi uses train register tones; that is, each syllable starts and ends at the aforementioned(prenominal) flip-flop, as in Japanese, and foreign Mandarin Chinese (which uses contour tones). withal like in Japanese, SYV rowing follow a a couple of(prenominal) basic rear patterns. If the parole is monosyllabic, it may be low or high pitched. all(a) but a few words in Senu Yivokuchi that atomic number 18 polysyllabic bring on a pitch change surrounded by two of their syllables. This change may be a nip and close in or a fall. There must be a change, there must be only one, and it must be somewher e by and by the first syllable and originally the nett one. In addition to this, the pitch change must set out at least as many syllables later forrad itself as it leaves onwards. That is, a 3-syllable word must have its pitch change after the first syllable, leaving one syllable before it and two after it.
The pitch pattern of a word is indicated (throughout these pages and in the dictionary) as a number plus a mark. The number represents the syllable after which the change is located, and the mark shows whether it is a pitch fall (a backslash, ) or a pitch rise (a fore slash, /). For example: adam et [1/] a DA MET seosie [1\] ! SEO sie dubelet [2\] DU BE let ... The croak example seems to reproach the rule that more syllables should be before than after the pitch change; but dubelet is a verb root, which eternally appears with an inflection that adds at least one syllable, thus swelled a sensible pattern. There are some other(a) roots with irrational patterns. When...If you want to get a profuse essay, order it on our website: OrderCustomPaper.com
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